Resources for New Screenwriters & Filmmakers

Five Ways to Kill Audience Satisfaction by Jason Arnopp

2012-02-13T14:00:00.001-05:00

Five Ways To Kill Audience Satisfaction

Tiny Furniture Trailer

2011-12-30T01:06:00.004-05:00

Portlandia - OVER

2011-12-26T20:37:00.001-05:00

Michael Haneke: Great Directors from Senses of Cinema

2011-10-29T16:57:00.005-04:00

Michael Haneke: Great Directors from Senses of Cinema

by Mattias Frey

Frank Porter Graham Lecture 2011 with David Simon

2011-10-03T00:02:00.002-04:00

Frank Porter Graham Lecture 2011 with David Simon from James M. Johnston Center on Vimeo.

Sebastian's Voodoo by Joaquin Baldwin (2008)

2011-09-24T17:37:00.002-04:00

About the Director

Short Film Site: Shorts Bay

2011-09-20T23:08:00.002-04:00

Short Film Site: Shorts Bay

Keyhole by Guy Maddin (2011)

2011-09-20T23:06:00.000-04:00

Once Upon a Time in Anatolia - Trailer

2011-09-20T23:01:00.003-04:00

Once Upon a Time in Anatolia is 2011 Turkish drama film directed by Nuri Bilge Ceylan. The film was a co-winner of the Grand Prix at the 2011 Cannes Film Festival.

How to Read like a Writer

2011-08-28T15:38:00.001-04:00

How to Read like a Writer

lot 63, grave c / a documentary by Sam Green

2011-08-24T00:23:00.000-04:00

Give Me Shelter

2011-08-24T00:11:00.000-04:00

"You Are Here" (trailer) -A meta detective story, Directed By Daniel Cockburn (2010)

2011-08-21T19:43:00.001-04:00

Q&A: Daniel Cockburn wants to poke you in the head, but for a good reason

The Seashell and The Clergyman by Germaine Dulac (1928)

2011-07-06T13:26:00.001-04:00

Surrealist Cinema

Voice Over Value

2011-07-06T00:06:00.003-04:00

A Plague of Strong Female Characters by CARINA CHOCANO

2011-07-05T15:49:00.003-04:00

The Long Goodbye by Robert Altman (1973)

2011-06-29T10:12:00.006-04:00

Notice how much time is devoted to developing Private Detective Philip Marlowe's (Elliott Gould) character in this opening sequence. Before the story begins, we get a sense of the protagonist--who he is, where he lives, and what his values are--all of which play an important part in setting up how he behaves throughout the film. The opening sequence (feeding the cat) foreshadows what's to come in the rest of the film. In fact, it plays out like a mini movie of the film: Marlowe goes to great lengths for his cat to whom he is devoted only to have the cat reject what he offers and run away.

David Lynch new Short Movie - Signature Cup Coffee commercial 2011

2011-06-25T22:42:00.000-04:00

The Script Lab: Top 10 Film Character Introductions

2011-06-14T22:18:00.000-04:00

LA Plays Itself

2011-06-11T15:34:00.002-04:00

Our Dusty World -- A Scene From The Passenger (1975)

2011-06-01T09:31:00.001-04:00

Robert Mitchum - The Night of the Hunter

2011-05-28T12:33:00.000-04:00

"It's a hard world for little things."

The Toronto Urban Film Festival (TUFF) - Call for Submissions

2011-05-24T11:17:00.000-04:00

FIVE YEARS AND STILL TUFF!

SUBMIT NOW. Early Bird Deadline - May 31, 2011. Final Deadline - July 15, 2011.

The Toronto Urban Film Festival (TUFF), unique in North America, is a public film festival that reaches 1.3 million daily commuters on the ONESTOP TTC subway platform screens. This year's guest judge is Atom Egoyan.

Urban-themed films from across Canada and around the world play every 10 minutes on 300 screens in 60 subways stations across Toronto.

The Zombies at AMC’s Doorstep

2011-05-22T22:02:00.001-04:00

The Zombies at AMC’s Doorstep

Podcast: Screenwriter Annie Mumolo Talks BRIDESMAIDS

2011-05-19T23:50:00.001-04:00

Fubar 2 Hippy

2011-04-30T10:06:00.000-04:00

Fubar 2 - Funniest deleted scene/ Terry's boss

2011-04-30T10:05:00.000-04:00

Review: Good Dog 1x1

2011-04-29T23:24:00.002-04:00

Here's a review: Review: Good Dog 1x1

Join Denis McGrath for Free Writing Workshops on Comedy & Drama TV Writing

2011-04-29T15:44:00.000-04:00

Join Denis McGrath for Free Writing Workshops on Comedy & Drama TV Writing

Join TV writer and CFC Alumnus Denis McGrath ('00) for two free Series Writing Workshops on writing for comedy and drama television and learn more about the CFC's CBC Prime Time Television Program!

The Great Train Robbery

2011-04-26T16:33:00.000-04:00

Ira Glass on Storytelling

2011-04-26T15:27:00.004-04:00

"Not enough gets said about the importance of abandoning

crap." Ira Glass

Part 1 of 4

Part 2 of 4

Part 3 of 4

Part 4 of 4

Kurt Vonnegut at the Blackboard - Lapham’s Quarterly

2011-04-16T22:29:00.001-04:00

Kurt Vonnegut at the Blackboard - Lapham’s Quarterly

60 Best Blogs for Aspiring Screenwriters

2011-04-11T17:52:00.002-04:00

Go Into the Story: Is my script big enough to be a movie, Part 1: Story Concept

2011-04-11T17:29:00.000-04:00

Article - 10 Ways I Know I'm Reading An Amateur Script

2011-04-11T17:13:00.000-04:00

The Starter Screenplay: Review by Scott W. Smith

2011-04-05T21:28:00.002-04:00

Barry Michels, Therapist for Blocked Screenwriters: newyorker.com

2011-04-04T15:10:00.000-04:00

Barry Michels, Therapist for Blocked Screenwriters: newyorker.com

The Dramatic Writer's Companion: Tools to Develop Characters, Cause Scenes, and Build Stories, Dunne

2011-04-03T18:20:00.002-04:00

The Dramatic Writer's Companion: Tools to Develop Characters, Cause Scenes, and Build Stories, Dunne

Mockler Tips: Make Life Harder for Your Protagonist

2011-03-28T15:29:00.013-04:00

Make your story more interesting for your audience by making life harder for your protagonist.

First drafts of screenplays often have one thing in common: they make life too easy for the protagonist.

It makes sense. Writing a first draft is hard. Why not have the protagonist walk into the bar and get exactly what she expects? It’s easier for the writer because he or she doesn’t have to worry about the protagonist falling flat on her face or bumping into an ex-boyfriend or forgetting her wallet.

But in the revision this should change. Having events occur too smoothly and with the character getting exactly what he or she expects can often be very dull for an audience.

In the 1952 Italian film Umberto D written by Cesare Zavattini and directed by Vittorio De Sica, not one moment of this classic neorealist film is easy for protagonist Umberto D, an elderly pensioner trying to secure his basic needs for survival. From selling a watch to getting on the streetcar to finding his lost dog, Umberto D’s every action is met with an obstruction. And his every expectation greeted with an outcome he does not anticipate but with which he must cope. For example, Umberto D collects as much money as he can to pay his back rent, but when he gives the money to his landlady, she will not accept partial payment; it’s all or nothing. This makes life more difficult for him and is an event he does not anticipate. In another example, Umberto D admits himself to the hospital leaving his beloved dog, Flike, with his trusted friend, the tenement housemaid, Maria. Upon his return, Umberto D is shocked to discover his dog is missing—the cruel landlady let him out. Again this makes life hard for the protagonist, and it’s an event he doesn’t expect.

While this film may be an exaggeration of this principle, it never hurts a story to rely less on coincidence and convenience and more on conflict and obstacles. Why? Because life is hard and audiences root for characters who they relate to, who are vulnerable, and who they understand. What audience wants to read a story about a beautiful couple, with well-behaved children, who live in a mansion, have well-paying successful jobs, who are fit, healthy, and happy, and who get everything they want out of life? Not many. If the beautiful girl gets the handsome man then they better pay for it by struggling long and hard, and in some cases, as in Romeo and Juliet, they must die for audiences to care. Romeo doesn’t expect that Juliet will wake up; he thinks she’s dead which is why he drinks the poison.

Written by Kathryn Mockler

Fear and Loathing on the Road to Hollywood - Hunter S Thompson Documentary

2011-03-28T13:30:00.002-04:00

GASLAND by Josh Fox

2011-03-19T13:11:00.000-04:00

Film is Visual

2011-03-18T13:52:00.002-04:00

Toronto Screenwriting Conference: April 9 to 10, 2011

2011-03-11T21:41:00.002-05:00

Toronto Screenwriting Conference. Register here.

The second annual Toronto Screenwriting Conference will take place April 9 & 10, 2011 at Ryerson University’s Ted Rogers School of Management at Yonge and Dundas, in downtown Toronto.

A one-of-a-kind event for professionals in the screen-based industry, the Toronto Screenwriting Conference gives you:

Extraordinary key-note sessions with high-profile showrunners and screenwriters

Incomparable breakout sessions with leading international screenwriting academics, book authors and industry execs

Advanced level of education and skills development unparalleled by any other screenwriting event

The Toronto Screenwriting Conference is the premiere 2011 event for everyone involved, in any way, with screenwriting.

Professional writers, producers, directors, and executives will benefit from this gathering of the best creative talent, authors and speakers in writing for screen-based media.

Five Plot Point Breakdowns: The Script Lab

2011-02-28T13:51:00.002-05:00

Greenberg by Noah Baumbach

2011-02-24T13:22:00.000-05:00

Trailer: The Time That Remains by Elia Suleiman

2011-02-24T13:21:00.001-05:00

The Crazy Nastyass Honey Badger (original narration by Randall)

2011-02-21T11:01:00.001-05:00

Writing Exercise: Just Practice

2011-02-19T17:37:00.001-05:00

Just Practice

Superstar: The Karen Carpenter Story (1987) by Todd Haynes

2011-02-17T13:31:00.000-05:00

The Mad Men Account by Daniel Mendelsohn | The New York Review of Books

2011-02-12T19:48:00.001-05:00

The Mad Men Account by Daniel Mendelsohn | The New York Review of Books

FLIP: A Column About Skateboarding. - - - - C O L U M N 14 An Introduction to Literature, Part II. By Joel Rice

2011-02-07T13:29:00.002-05:00

Short Term 12 - Interview

2011-02-03T23:24:00.001-05:00

2011 Sundance Film Festival: "Close" by Tahir Jetter

2011-02-03T16:15:00.002-05:00

2011 Sundance Film Festival: "Sasquatch Birth Journal 2" by the Zellner Bros.

2011-02-03T16:05:00.000-05:00

2011 Sundance Film Festival: Andy and Zach

2011-02-03T15:57:00.000-05:00

Next up, "Andy and Zach" by writer/director Nick Paley. The Zach of the title is Zach Woods from "The Office" and "In the Loop."

An Evening with Spike Lee

2011-01-13T16:11:00.003-05:00

Tuesday, Jan 25, 2011 7:00 PM EST (6:30 PM Doors)
Cineplex Odeon Varsity Theatre, Toronto, ON

In celebration of Black History Month and presented by TD, CFC and Clement Virgo are pleased to host a special evening in conversation with acclaimed filmmaker Spike Lee (IF GOD IS WILLING AND DA CREEK DON'T RISE, MALCOLM X, DO THE RIGHT THING) to discuss the role of music in his films.

Hosted by Clement Virgo (RUDE, POOR BOY'S GAME), the evening will combine conversation and film clips to examine the use of music in Lee's films - from his musical collaborations with his father, Bill Lee, a jazz bassist, to Prince, Stevie Wonder and composer Terence Blanchard.

A notable writer, director, producer, actor, and author who revolutionized both the landscape of independent cinema and the role of black talent in film, Spike Lee is widely regarded as a premiere filmmaker and a forerunner in the 'do it yourself' school of filmmaking.

Why "All in the Family" still matters

2011-01-12T20:55:00.001-05:00

Why "All in the Family" still matters

The Story Department: Syd Field Interview

2011-01-12T20:50:00.001-05:00

Sharon Lockhart (b. 1964)

2011-01-07T00:01:00.002-05:00

Auguste Lumière (1862-1954) and Louis Lumière (1864-1948)

2011-01-06T23:15:00.002-05:00

The Girl Chewing Gum by John Smith

2010-12-14T14:40:00.000-05:00

El Gringo by Francis Alys

2010-11-09T12:04:00.001-05:00

Another Professor's Fantasy

2010-11-09T12:02:00.000-05:00

Excerpt from Modern Times b Charlie Chaplin and the Marx Brothers (1936)

2010-10-28T15:22:00.002-04:00

The Rumpus Interview with Robert McKee

2010-10-23T02:32:00.002-04:00

Writing for short film

2010-10-21T08:18:00.001-04:00

How to write a good short film script Marilyn Milgrom, script consultant

2010-10-21T08:15:00.002-04:00

Short Film Script: Five Feet and Rising by Peter Sollett

2010-10-21T08:05:00.000-04:00

Victor, a twelve year-old boy growing up on New York City's Lower East Side experiences what growing up is all about.

Peter Sollett
Born in Brooklyn in 1976, writer-director Peter Sollett studied film at New York University. He won the Best Short Film Prize at both the Sundance and Cannes Film Festivals in 2000 for "Five Feet High and Rising". It would be the inspiration for his feature film debut "Raising Victor Vargas", a charming coming-of-age comedy set on the Lower East Side of New York City.

Interview with Peter Sollett

2010 Films - Uncle Boonmee Who Can Recall His Past Lives

2010-09-23T10:42:00.000-04:00

2010 Films - Uncle Boonmee Who Can Recall His Past Lives

Higher Learning Fridays presents David Cronenberg

2010-09-23T10:39:00.002-04:00

Join Toronto’s own David Cronenberg and his longtime editor Ron Sanders on September 24 from 11-2pm at TIFF Bell Lightbox as we inaugurate Higher Learning Fridays, our ongoing series of FREE events for university and college students and faculty.

The duo will introduce the screening of Cronenberg’s body-horror masterpiece Videodrome, followed by a Q&A session with students.

Is Narcissism Good for Business? - ScienceNOW

2010-09-21T19:28:00.001-04:00

Is Narcissism Good for Business? - ScienceNOW

2010 Films - Fine Young Man

2010-09-19T15:12:00.001-04:00

2010 Films - Fine Young Man

2010 Films - How to Rid your Lover of a Negative Emotion Caused by You!

2010-09-19T15:11:00.001-04:00

2010 Films - How to Rid your Lover of a Negative Emotion Caused by You!

2010 Films - Leap Year

2010-09-17T11:19:00.001-04:00

2010 Films - Leap Year

Guest - Directed by José Luis Guerín | Film - indieWIRE

2010-09-17T11:11:00.001-04:00

Guest - Directed by José Luis Guerín | Film - indieWIRE

Submarine by Richard Ayoade

2010-09-16T10:22:00.002-04:00

2010 Films - Submarine

TRIGGER by Bruce McDonald

2010-09-16T10:17:00.000-04:00

Interview with Bruce McDonald in Eye Weekly

Impakt Channel

2010-09-07T17:08:00.002-04:00

Impakt Channel, our brand new online database of video and audio art, is open to the public. The intention of Impakt Channel is to host a wide variety of qualitative video and audio works produced by artists around the world. Many of these works were only displayed in galleries, museums or public screenings, but from now on they can also be viewed online anywhere at anytime.

We currently host six works selected from our Impakt Festival 2009 programme including works from Doug Fishbone, Reynold Reynolds, Clorinde Durand, Manuel Saiz, Witte van Hulzen & Sander Breure, and Erikka Nissinen. In the future the plan is to expand the Impakt Channel database with old and new artworks from famous and less famous artists that have been shown before on the Impakt Festival or the Impakt Events.

Impakt Channel makes use of a streaming server to serve the files to your browser and even your mobile phone or iPad! Because Impakt Channel makes use of the new HTML5 standard, we are fully prepared for the future of video streaming.

Impakt Channel can be visited at the following URL: http://www.impakt.nl/channel

The Old Ways - Screening at TIFF

2010-08-25T02:02:00.003-04:00

The Old Ways will have its world premiere at the 2010 Toronto International Film Festival.
http://www.tiff.net/filmsandschedules/tiff/2010/shortcutscanadaprogr1

Public Screenings:
09/10/10 9:15pm Isabel Bader Theatre
00/11/10 1:00pm Jackman Hall AGO
Press & Industry Screening:
09/12/10 10:00am Jackman Hall AGO
Tickets go on sale September 3^rd. For information please visit
http://tiff.net/thefestival/ticketsandpasses

Canada's short film lineup at TIFF 2010 - Industry Centre - National Screen Institute

2010-08-24T15:24:00.004-04:00

Below is the list of Canadian short films chosen for the Toronto International Film Festival (TIFF) 2010.

Quebec

File Under Miscellaneous [Jeff Barnaby]

Les fleurs de lge [Vincent Biron]

The Legend Of Beaver Dam [Jerome Sable]

Lipsett Diaries [Theodore Ushev - National Film Board]

Manges [Sophie Goyette]

Marius Borodine [Emanuel Hoss-Desmarais]

La Metropolitaine [Dan Popa]

Mokhtar [Halima Ouardiri]

On The Way To The Sea [Tao Gu]

Poudre [Ky Nam Le Duc]

Le Projet Sapporo [Marie-Josee Saint-Pierre]

Sophie Lavoie [Anne Mond]

La tranche [Claude Cloutier]

Vapor [Kaveh Nabatian]

Ontario

Above The Knee [Greg Atkins]

The Adders Bite [Firas Momani]

Animal Control [Kire Paputts]

The Camera and Christopher Merk [Brandon Cronenberg]

Champagne [Hans Olson - Canadian Film Centre]

Eggcellent [Martin Sokol]

Green Crayons [Kazik Radwanski]

Home: Life Advice [Aaron Phelan]

How To Rid Your Lover Of A Negative Emotion Caused By You! [Nadia Litz - Canadian Film Centre]

Interregnum [Nick Fox-Gieg]

Living History [Isaac Cravit]

Love. Marriage. Miscarriage. [Darragh McDonald]

The Old Ways [Michael Vass]

Open Window [Cam Woykin]

Les Softies [Emmanuel Shirinian - NSI Features First grad, Russell Bennett]

Tsunami, Horses and Civilization [Carla Susanto]

Turkey [Sara St. Onge]

Wapawekka [Danis Goulet]

Yesno [Brian D. Johnson]

Manitoba

Negativipeg [Matthew Rankin]

Warchild [Caroline Monnet]

Alberta

The High Level Bridge [Trevor Anderson - NSI Drama Prize grad]

British Columbia

The Closer You Get to Canada [John Bolton - an NSI Drama Prize film]

A Fine Young Man [Kevan Funk]

Sad Bear [Liz Van Allen Cairns, Joe LoBianco - a Crazy8s film]

Woman Waiting [Antoine Bourges]

Three Frames

2010-07-25T12:31:00.001-04:00

Muto by Blu

2010-07-09T00:50:00.000-04:00

MUTO a wall-painted animation by BLU from blu on Vimeo.

Mockler Tips: One-Minute Script Exercise

2010-06-30T22:35:00.005-04:00

One-Minute Script Exercise

This writing exercise works well for screenwriters of all levels because it challenges the writer in many areas important to screenwriting such as word economy, image, premise, and storytelling. So much of screenwriting relies on the writer being able to say as much as he or she can in as few words as possible while at the same time developing story, character, and theme.

Brainstorming

Go for a walk and take note of all things and people you see. Who do you see in the park or at the hospital or in the school or the doctor’s office or wherever you happen to be? Watch the interactions of the people around you. Make detailed notes. What does their body language say? What do their facial expressions convey? How does the way they dress or the actions they perform provide you with insight into their personalities and relationships?

Next, look for comparisons in these scenes. What does their behaviour remind you of? Are there larger social, economic, religious, or political implications in their actions? Think about the ways you can mine theme from the images you see in the world around you.

One-Minute Script Exercise

1. Write a one-minute film with one location, no dialogue, and no more than three characters.
2. Sound effects may be used, but the story must be told through visuals and action.
3. Ensure that your story is self-contained (avoid writing a scene) and that it has a theme. In other words, your story should mean something outside of itself—it should have a point.
4. The length of your script should not exceed two pages in proper screenwriting format.

Written by Kathryn Mockler

Raindance: Top 10 Low Budget Films

2010-06-22T15:32:00.002-04:00

Close-up: Prison and Escape By Godfrey Cheshire

2010-06-22T15:26:00.002-04:00

Backstory 3 Interviews with Screenwriters of the 1960s

2010-06-15T13:53:00.000-04:00

Backstory 2 Interviews with Screenwriters of the 1940s and 1950s

2010-06-15T13:52:00.001-04:00

Mockler Tips: Where to Get Feedback in Canada

2010-06-06T23:07:00.013-04:00

You’ve just finished your first feature film script and now what do you do? How do you know if it’s any good? Where can you get advice? This is a tough one because generally you’re not going to get someone with experience to read your script for free. But to become a better writer, you need feedback.

For new screenwriters, taking a screenwriting course can have a couple of benefits. Not only will you get feedback on structure, dialogue, character, etc. from your instructor, but also you will meet other screenwriters who will be willing to read your script for free after the course is over and who will help you begin to build a community of writers where you live. Online writing courses can be a good alternative for those living in smaller or remote regions. Most cities with colleges or universities have continuing education programs, and they often offer screenwriting courses. And if they don’t, suggest that they do. These classes will fill. Local independent filmmaking co-ops such as LIFT, AFC, CSIF, FEMA, IFCO, and others found on AFC’s resource page often offer screenwriting classes and workshops.

Another option is to do an undergraduate or graduate degree in screenwriting. Humber has both degree and non-degree programs in screenwriting. UBC and York have MFA programs in screenwriting and there are many others in Canada and in the US. Some universities have low-residency MFA programs for those who are unable to relocate. NSI has a variety of professional development opportunities for writers, and the Canadian Film Centre (CFC) offers a feature film writing residency and a TV writing program for those with a little more writing experience.

You certainly don’t need a screenwriting class to become a screenwriter, but the support, encouragement, and feedback found in these courses can often be invaluable.

If you’re beyond the beginner stage and have already taken classes and have a few screenwriting buddies but want more in-depth or critical feedback, then you may consider paying someone to read your script. Be careful about scams especially online. Many people claim to be experts and charge big fees.

A great resource in Canada is the Praxis Centre for Screenwriters. They offer a reading service at reasonable rates. All of the readers are professional story editors or working screenwriters. Praxis also holds two screenwriting competitions a year where 4-6 writers receive individual workshops with a veteran story editor or screenwriter.

The Editors’ Association of Canada lists editors who are willing to provide feedback on scripts (also called coverage).

Make sure you check the credentials of anyone claiming to be a story editor or professional script reader. IMDb should be your first stop. Does the writer have screen or story editing credits? Don’t be afraid to ask for references. Are the clients satisfied with the feedback they have received? Fees for reading feature films in Canada can range from $200 to $500.

The fees for veteran story editors with lots of film and TV credits can be in the thousands. Editors at this level are usually hired by production companies—once they’ve optioned your film.

Some screenwriting contests offer coverage for an additional fee. Proceed with caution with contests and coverage as you have no way of checking the credentials of an anonymous reader.

Before you send out your script to anyone, it’s a good idea to register it with the Writers Guild of Canada.

Written by Kathryn Mockler

Interview with John Candy via NSI

2010-05-31T15:29:00.002-04:00

World Wide Short Film Festival Symposium

2010-05-31T14:58:00.000-04:00

MASTER CLASS: DIRECTOR-ACTOR RELATIONSHIPS
WITH ATOM EGOYAN & DEVON BOSTICK

Hosted by the CFC Actors Conservatory
Presented by Canwest and supported by the Brian Linehan Charitable Foundation

10:30 AM – 12:00 PM

Join us for an inspiring Master Class with award-winning director Atom Egoyan (CHLOE, ADORATION, THE SWEET HEREAFTER) and actor Devon Bostick (DIARY OF A WIMPY KID, ADORATION, SURVIVAL OF THE DEAD) on the director/actor relationship. Using their film ADORATION and drawing on their other films, Atom & Devon will discuss their approaches to storytelling in an intimate conversation.

Known for directing and writing films with nuanced characters often in ethical dilemmas, Atom will give insights into how he works with actors and his considerations within this essential relationship. Devon will discuss his approach to dramatic character, how he prepared for his role, as well as how he works with other actors and directors. Focusing on achieving great performance, Atom and Devon will look at the collaborative nature of the director/actor relationship from the casting and audition process, rehearsals and how they prepare for the camera.

Using clips, they will look at specific scenes in ADORATION and talk about how they approached the scenes, how they evolved from script to screen and how communication and preparation can deliver a complex and thoughtful performance that conveys the overarching story.

George A. Romero - Survival of the Dead Q&A

2010-05-31T14:42:00.003-04:00

Senior Editor Jeff Goldsmith interviews writer-director George A. Romero about Survival of the Dead

PAUL HAGGIS Screenwriting Lesson

2010-05-23T13:37:00.001-04:00

Drunk History Vol. 5 w/ Will Ferrell, Don Cheadle & Zooey Deschanel

2010-05-13T13:28:00.002-04:00

Drunk History Vol. 5 w/ Will Ferrell, Don Cheadle & Zooey Deschanel from Will Ferrell

Screenplay Scam: Paying Producers, Agents or Managers Up Front Fees

2010-05-12T11:54:00.001-04:00

Screenplay Scam: Paying Producers, Agents or Managers Up Front Fees

Posted using ShareThis

David Lynch Interview Project

2010-05-09T23:20:00.001-04:00

PODCAST: Harmony Korine by Montana Wojczuk BOMBlog/Posted May 2010, FILM

2010-05-09T22:33:00.000-04:00

No Mas Presents: Dock Ellis & The LSD No-No by James Blagden

2010-05-07T11:59:00.001-04:00

Big Fan Official Theatrical Trailer

2010-05-02T17:39:00.002-04:00

First Person: Rob Sheridan's long road to the Prairies

2010-05-01T17:10:00.001-04:00

http://www.nationalpost.com/arts/story.html?id=2971398

Website: The Big Think

2010-04-29T22:46:00.003-04:00