Thursday, December 17, 2009

The Racist Brick by Adam and Dave



Starring Pat Thornton, this is the film that answers the age-old question, "can we find humour in hatred?" Official selection at the Toronto International Film Festival, Hawaii International Film Festival, San Jose Cinequest, Montreal World Film Festival, Uninvited Film Festival and Film Circuit Canada.

Thursday, December 10, 2009

SHORTSNONSTOP

SUBMISSIONS: OPEN YEAR ROUND

UPCOMING DEADLINES:
January 15, 2010
April 15, 2010

AWARD ANNOUNCEMENTS: 15 days after deadline.
NEXT SUBMISSION DEADLINE: January 15, 2010

ABOUT
TELUS presents SHORTSNONSTOP, an initiative of the Canadian Film Centre’s Worldwide Short Film Festival. SHORTSNONSTOP is a year round online mobile film festival that you can experience anytime or anyplace.
AWARDS

In each award period, 10 finalists will be selected. These top 10 films will be promoted and distributed on a one year only exclusive basis in Canada throughout TELUS' mobile networks. From the Top 10, one winner will be selected and awarded a cash prize of $1500. Furthermore, the 6 annual winners will be considered to screen as part of the pre-screening presentation at the 2009 Worldwide Short Film Festival.
CATEGORIES

All categories and genres of short film are accepted, including drama, comedy, animation, horror, sci-fi, documentary, experimental and music videos.
ELIGIBILITY

* All intellectual property (copyright, music, trademarks, logos, etc) must be cleared
* English or no dialogue only
* Running time no more than 3 minutes
* Any country of origin acceptable
* Completed since January 1, 2005
* Exclusive Canadian mobile distribution rights must be available for one year only
* Previous short film festival screenings acceptable
* No porn, no extreme violence
* Must be copyright cleared

SELECTION

The Festival programmers will view all submissions and select the top 10 finalists. A Jury will select award winners. Decisions of the programmers and Jury are final.
NOTIFICATION

Participants will be notified via email, please ensure that you provide a working email address.
FESTIVAL TERMS

TELUS, the presenting sponsor of SHORTSNONSTOP will retain exclusive Canadian mobile rights, and non-exclusive online rights, including IPTV to the top 10 films submitted to SHORTSNONSTOP for a period of one year.

Canada's Top Ten Shorts

Established in 2001 by TIFF, Canada's Top Ten is an annual event celebrating and raising awareness of Canadian cinema. The Top Ten shorts are selected from among narrative, documentary, animation and experimental films. Each film must have premiered at a major Canadian film festival in the relevant calendar year.

Sunday, November 22, 2009

McKee's 10 Commandments of Writing

McKee's Ten Commandments of Writing are as follows:

ONE: Thou shalt not take the crisis/climax out of the protagonists' hands. The anti-deus ex machina commandment. No surprises!

TWO: Thou shalt not make life easy for the protagonist. Nothing progresses in a story, except through conflict. And not just physical conflict.

THREE: Thou shalt not give exposition for strictly exposition's sake. Dramatize it. Convert exposition to ammunition. Use it to turn the ending of a scene, to further the conflict.

FOUR: Thou shalt not use false mystery or cheap surprise. Don't conceal anything important that the protagonist knows. Keep us in step with him/ her.We know what s/he knows.

FIVE: Thou shalt respect your audience. The anti-hack commandment. Not all readers know your character. Very important.

SIX: Thou shalt know your world as God knows this one.The pro- research commandment.

SEVEN: Thou shalt not complicate when complexity is better. Don't multiply the complications on one level. Use all three: Intra-Personal, Inter-Personal, Extra-Personal

EIGHT: Thou shalt seek the end of the line, the negation of the negation, taking characters to the farthest reaches and depth of conflict imaginable within the story's own realm of probability.

NINE: Thou shalt not write on the nose. Put a sub text under every text.

TEN: Thou shalt rewrite.

• Story: Substance, Structure, Style and the Principles of Screenwriting
by Robert McKee Methuen Publishing Ltd ISBN 0413715604
"Story" deciphers the guiding structural principles that animate every classical and award-winning film, ranging from "Citizen Kane" through to modern acclaimed works like "The English Patient".

On Revision: An Excerpt From an Interview with Robert McKee on Storylink

Q: How important is the process of rewriting?

Robert McKee: It's absolutely critical. I quote Hemingway in my book who said, "The first draft of anything is shit." What's difficult for writers to come to terms with is to recognize that 90% of what we all do, no matter our talent, is not our best work. We are only capable of excellence maybe 10% of the time. So, how are you going to fill a screenplay with 100% of excellence? Everything has to have been experimented with, improvised, played with, ten times over. Ninety percent of our work must be thrown away in order to ultimately end up with the precious 10% of excellence. If, for example, you write a 120-page screenplay with 40 to 60 scenes, if you keep every single scene you write, and your so-called rewriting is just paraphrasing and re-paraphrasing dialogue, that's not rewriting, that's just polishing. Rewriting means deep structural change in character and story. THAT'S rewriting. If you keep the first draft of your 40 to 60 scenes, you can be sure that, at best, four to six of those scenes are of real quality. The rest is crap. Rewriting doesn't mean drudgery. Rewriting means re-imagining, recreating, improvising and trying all kinds of crazy ideas. That's rewriting.

Rewriting Your Screenplay

Meet the Filmmaker: Joel and Ethan Coen: A Serious Man